Voiceworks Magazine #92 — Thing is out now. It contains one of my favourite ever VW poems: “Matisse Blue Nude II” by Jake Dennis. And I have a poem in there too: “Graveyard Haibun”. I’ve been working on this one for some years now, and I’m delighted it has found a home. It was the very first Toowong Cemetery poem!
Here’s the Thing:
Inside Voiceworks #92 you’ll find stories about two little fishes, a father wrapped in wool and musings about flies. Poetry of silhouettes becoming blueprint, detectives contemplating marriage and graveyards (but like, good poetry about graveyards). Nonfiction exploring gender, mysterious red chillies and what it’s like to be a white guy who really wants to ‘get’ hip-hop. Visual art and comics that will melt your brain in a way you know you want it to.
It only costs 10 monies and you can buy it at Avid Reader (if you’re in Brisbane), order it online, or buy an e-copy for five bucks. Voiceworks supports young Australian writers and also the whole committee is smokin’ hot.
Today’s second piece of news is that my review of Paul Summers‘ latest collection, Unity, is up on the Queensland Poetry Festival Blog — just in time for his reading at Riverbend Books next week. These events are always something special, and I’m really sorry I can’t make this one — so make sure you get along for me.
If you’ve ever had the pleasure of hearing Summers perform, you’ll read these poems in his low, lyrical Northumbrian voice. His accent permeates the metre; form or not, each poem writes its own rules of rhythm. They chant, rather than sing. Thus Summers weaves a spell of the senses.
Riverbend Poetry Series II is at 6pm, 23 April 2013. Tickets cost $10.