Poem: “Brisbane haiku”

accordion’s squall
twisting through bunched streets
crow’s neck distends

unexpected rain
the humid walls exhale
roast queenslander

slick black umbrella
bounces at a snapped joint
fallen bat

toowong traffic yawns
ghost-tram arrives earlier
than council bus

crowded station
arched spines against metal
bare tracks curve away 

backyard mangoes
swell, yellow and fall
in your absence

bushland
ironbarks one by one
telephone pole

Francis Thompson and Zenobia Frost
First printed in Petrichor, 2011

Poem: “Finding/Losing”

This is the land of your poems.
The trees covet sky and water;
droplets leap from miles up
and wash away our windshield.

This road is overwhelmed, bumping
its shoulders with the ankles of trees
who don’t perceive the winding below.
We slip by unnoticed,

too small to be considered
anything but ground dwellers
snuffling for mushrooms.
Really, we are here to gather ourselves.

We pass seven cordoned rockfalls:
a sign to scratch off the seven days
we have gathered like barnacles.
We hide in the scent of the forest,

relearning stillness with a quiet engine.

 

Zenobia Frost and Francis Thompson (in collaboration)
First printed in Petrichor, 2011

Express Media: John Marsden Prize

I received some good news this week! A poem of mine, “The Hobby”, was awarded second place in the 18-24 division of the John Marsden Prize for Young Australian Writers. This was my last chance to enter, so I’m pretty stoked! Jeremy Poxon won first place with “The last time I went fishing, it was raining”. (I can’t wait to read it!)

Thank you, Express Media and John Marsden!

I’m fond of this poem. Anatoly Moskvin is such an interesting figure. I have performed “The Hobby” with Richard Grantham accompanying on piano a couple of times — Richard’s music gives it such pathos and humour. Here it is (sans piano, alas):

The Hobby

for Anatoly Moskvin, a cemetery archaeologist arrested in Russia in 2011

I crawl from dust to dust
each Monday morning

I have the teeth of archaeopteryx
and flaking tomes I drew up with the dead

each man must claim one diversion
from corner desk buried
under papers in shrinking faculty

the first dig was the thrill of my career
her skin was perfect, dry as leather
her lips were parted just to whisper
nothings in the words of Cleopatra

I took her home and made her dinner
I seduced her with thirteen ancient tongues
she stayed for breakfast
she stayed forever

the second was more delicate
but her name had struck my linguist’s heart
I dressed her in my mother’s clothes

my bevy, twenty-nine exotic birds
there’s barely room for me against my desk
there’s barely room anymore at home

let me keep the only company I keep
let me have my littlest of rewards
and do not doubt that they will testify

our histories are six foot in all their rot
I’ve exhumed and slept in coffins for this art
I have walked for miles with my chisel
eaten dirt and sipped from graveyard puddles

yet with one bag of much-loved bones
you find me, and you call me mad

Civic Duty & other poems

A splash of November news:

  • The Red Room Company commissioned me to write a poem about an object dear to me — so naturally I wrote a love poem to my local Civic Video. You can read it here.
  • In 2014 (and beyond!) I’ll be helping out Five Islands Press, serving as their consulting poetry editor for Queensland. Their annual submissions window for poetry manuscripts closes on Nov. 30.
  • Voiceworks Magazine launches “Prime” at the 2013 Express Media Awards on Dec. 5. VW is always stuffed full of wonderful stuff. Broede Carmody (2013 Booranga Prize-winner for fiction; Whitmore Press Manuscript Prize finalist — such talent very babe wow) edited a poem I was lucky enough to have included. It is possibly my only successful sexy poem.
  • Tincture Journal launches its fourth issue on Dec. 1. Tincture is a fantastic digital publication — in fact, it has been nominated for the Express Media Award for “Best Project By/For Young Writers”. Nice one! They’ve kindly included a couple of my poems in the new issue.
  • A poem of mine has been included in the inaugural Jean Cecily Drake-Brockman Prize Anthology. Hooray! I think this is the first time I’ve been anthologised.

Today's mail

First Thunder Spoke (then, other voices)

A curious thing: we moved into our new digs in January, and suddenly summer’s swinging around again (interrupting spring — how rude!), yet we still haven’t had a housewarming. The year has been pulled out from under our feet. Also it’s hard to leave this library:

Marlinspike Library

We all have to leave the books alone now and then — and there are a bunch of things coming up I’ll even put pants on for.

This weekend, the Queensland Poetry Festival stirs up the Judith Wright Centre, with three days’ worth of poetry and spoken word over two stages. I’m joining Rob Morris to give voice to Ynes Sanz‘s poems (along with Ynes herself) at First Thunder Spoke: 10.30am, Saturday 24 August.

Then, on Sunday, I’m playing a little trumpet at Lady Marlene‘s wonderful cabaret burlesque (Disney-themed, this time!) at The Loft:

Finally, I’m super excited to announce the return of the Ruby Fizz Society in October, hosted and supported by the wonderful Bird Gallery and Studios (who share space with Bean.) You can tell us you’re coming here, but I’ll tell you all about the Ruby Fizz Salon in another post soon. It’s gonna be so spiffy.

It’s all go at the moment — lots of work, writing and über-rehearsals for The Ragtag Band. But I’m finally recovering from whooping cough (whaaaaa — I don’t even!); my singing voice is coming back; I’ve had two poems accepted this week in two different Aussie journals; I just opened a brand new malty Assam blend; and there’s a friendly cat paw obscuring my keyboard.

See you on the flipside — or hopefully at some of these events!

Lucifer

Totem

I am the cloaked detective
the silent choir
top of the slush pile

I am sleeping in your pocket
a gatherer of secrets
in my nest of old headlines

I am Icarus, scaling the maze
before flight, and Houdini
with supple spine

I am a mathematician
I multiply

I am looking to master
mischief’s map, wherever
X might mark the spot

(Previously published in Frame Lines, 2008. Revised, 2013.)

From the Vaults: QWeekend

Back in August of 2010, Frances Whiting interviewed me for a story in the Courier Mail’s QWeekend. Standing amongst such heavyweights as Bruce Dawe, David Robotham, Graham Nunn, John Tranter and Felicity Plunkett, I represented Emerging Poets; it was thrilling — and definitely nerve-wracking. But it was a lovely article: a six-page spread that came out just in time for the 2010 Queensland Poetry Festival. Russell Shakespeare photographed me in Toowong Cemetery (about a year into my graveyard obsession), and kindly allowed me to reproduce some of the photos that didn’t make it into QWeekend.

You can still download and read the whole article: The Thrill of the Quill.

Toowong Cemetery by R. Shakespeare (2010)

Toowong Cemetery by R. Shakespeare (2010)

Toowong Cemetery by R. Shakespeare (2010)

Toowong Cemetery by R. Shakespeare (2010)