Civic Duty & other poems

A splash of November news:

  • The Red Room Company commissioned me to write a poem about an object dear to me — so naturally I wrote a love poem to my local Civic Video. You can read it here.
  • In 2014 (and beyond!) I’ll be helping out Five Islands Press, serving as their consulting poetry editor for Queensland. Their annual submissions window for poetry manuscripts closes on Nov. 30.
  • Voiceworks Magazine launches “Prime” at the 2013 Express Media Awards on Dec. 5. VW is always stuffed full of wonderful stuff. Broede Carmody (2013 Booranga Prize-winner for fiction; Whitmore Press Manuscript Prize finalist — such talent very babe wow) edited a poem I was lucky enough to have included. It is possibly my only successful sexy poem.
  • Tincture Journal launches its fourth issue on Dec. 1. Tincture is a fantastic digital publication — in fact, it has been nominated for the Express Media Award for “Best Project By/For Young Writers”. Nice one! They’ve kindly included a couple of my poems in the new issue.
  • A poem of mine has been included in the inaugural Jean Cecily Drake-Brockman Prize Anthology. Hooray! I think this is the first time I’ve been anthologised.

Today's mail

That Golden September

“I thought I had found my golden September in the middle of that purple June.”
— Glen Richards, Augie March

A little Stranger Music foreshadowing can’t hurt, right? It’s not quite a golden September yet, but it’s shaping up to be a good ‘un. Here’s some news:

At Queensland Poetry Festival, just last weekend, I learned I’d been shortlisted for the Thomas Shapcott Prize. This is super, super exciting! Congratulations to the worthy winner, David Stavanger; the runner-up, Jonathan Hadwen; and the other shortlisted entrants: Chloe Callistemon, Stuart Cooke and Nicola Scholes. It will be fantastic to have David feature (as Ghostboy) at the Ruby Fizz Salon in October. I also caught fantastic sets from Matt Hetherington and Betsy Turcot at QPF, before I had to dart back to work.

Brisbane Writers Festival, Sunday, 8 September, 12–1pm: Voiceworks Magazine punches the the Red Room’s lights out with wordsmithery and coolness, led by our editor, Kat Muscat. Features Gianina Carter, Daniel Dixon, Zenobia Frost, Tasha Llewellyn, and Sam George-Allen. Check out the event page here.

Voiceworks: Fighting Trousers

Lyre is a new e-journal from Brisbane, and I’m very glad to have had three poems included in the inaugural issue.

Cordite: Masque, edited by Ann Vickery, is out, and includes poems/words by Jordie Albiston, Paul Summers, Santo Cazzati, Kristin Hannaford, and me.

Rabbit #9, the open issue, launches on 11 September, 6.30pm, at Embiggen Books, 197–203 Little Lonsdale St in Melbourne. I wish I could be there! This is my first poem in Rabbit, and I’m very excited to be included alongside Ali Alizadeh and Jordie Albiston.

There’s a plethora of great stuff to catch at BWF this weekend — here’s a list of highlights to help you out. (She Stole My Every Rock and Roll is my pick, for Saturday.) Then there’s Brisbane Festival and the Spiegeltent and wayyy too much coolness. My favourite month! Goldenness ahoy!

x

First Thunder Spoke (then, other voices)

A curious thing: we moved into our new digs in January, and suddenly summer’s swinging around again (interrupting spring — how rude!), yet we still haven’t had a housewarming. The year has been pulled out from under our feet. Also it’s hard to leave this library:

Marlinspike Library

We all have to leave the books alone now and then — and there are a bunch of things coming up I’ll even put pants on for.

This weekend, the Queensland Poetry Festival stirs up the Judith Wright Centre, with three days’ worth of poetry and spoken word over two stages. I’m joining Rob Morris to give voice to Ynes Sanz‘s poems (along with Ynes herself) at First Thunder Spoke: 10.30am, Saturday 24 August.

Then, on Sunday, I’m playing a little trumpet at Lady Marlene‘s wonderful cabaret burlesque (Disney-themed, this time!) at The Loft:

Finally, I’m super excited to announce the return of the Ruby Fizz Society in October, hosted and supported by the wonderful Bird Gallery and Studios (who share space with Bean.) You can tell us you’re coming here, but I’ll tell you all about the Ruby Fizz Salon in another post soon. It’s gonna be so spiffy.

It’s all go at the moment — lots of work, writing and über-rehearsals for The Ragtag Band. But I’m finally recovering from whooping cough (whaaaaa — I don’t even!); my singing voice is coming back; I’ve had two poems accepted this week in two different Aussie journals; I just opened a brand new malty Assam blend; and there’s a friendly cat paw obscuring my keyboard.

See you on the flipside — or hopefully at some of these events!

Lucifer

Alchemy @ Brisbane Square Library 17.5.13

A lovely review from Tash D at Factory Diaries.

Factory Diaries's avatarFactory Diaries

On the third Friday of every month the Brisbane Square Library is host to a myriad of music, poetry and performance. Alchemy is the name of this monthly event and it is MCd by the lovely Frankie Vandellous.

photo

Unfortunately, I was a tad tardy in arriving to this month’s event so I missed the wonderful musical stylings of Wayne Jennings of The Ragtag Band fame.

I did make it in time to catch the two beautiful dancers from Evoke Dance and Theatre Company performing along to the latin grooves of Tari Hujan, however. The dancers were graceful and strong pulling off fantastic lifts and spins with the greatest of ease. Their routine showed their diversity changing paces several times.

Then the audience was treated to the poetic genius that is Zenobia Frost. This performance featured her ukulele debut in a poem/song that illustrated the contrast between her…

View original post 244 more words

Alchemy and Chemistry

Alchemy has procured some collaborative-arts gold for its May show this Friday: Scrambled Legscircus duo Claire Ogden and Shane SmithTari Hujan, a five-piece band who transmute genres; and that poet who likes graveyards and cats and stuff, Zenobia Frost, occasionally accompanied by charismatic cellist, Wayne Jennings (the Ragtag Band).

 

Frankie Vandellous hosts this splendid, free monthly event. Come along and support Brisbane arts!

Alchemy: A Little May Magic
5.30pm, Friday, 17 May
Brisbane Square Library

Thing[s]!

Voiceworks Magazine #92 — Thing is out now. It contains one of my favourite ever VW poems: “Matisse Blue Nude II” by Jake Dennis. And I have a poem in there too: “Graveyard Haibun”. I’ve been working on this one for some years now, and I’m delighted it has found a home. It was the very first Toowong Cemetery poem!

Here’s the Thing:

Inside Voiceworks #92 you’ll find stories about two little fishes, a father wrapped in wool and musings about flies. Poetry of silhouettes becoming blueprint, detectives contemplating marriage and graveyards (but like, good poetry about graveyards). Nonfiction exploring gender, mysterious red chillies and what it’s like to be a white guy who really wants to ‘get’ hip-hop. Visual art and comics that will melt your brain in a way you know you want it to.

It only costs 10 monies and you can buy it at Avid Reader (if you’re in Brisbane), order it online, or buy an e-copy for five bucks. Voiceworks supports young Australian writers and also the whole committee is smokin’ hot.

Today’s second piece of news is that my review of Paul Summers‘ latest collection, Unity, is up on the Queensland Poetry Festival Blog — just in time for his reading at Riverbend Books next week. These events are always something special, and I’m really sorry I can’t make this one — so make sure you get along for me.

If you’ve ever had the pleasure of hearing Summers perform, you’ll read these poems in his low, lyrical Northumbrian voice. His accent permeates the metre; form or not, each poem writes its own rules of rhythm. They chant, rather than sing. Thus Summers weaves a spell of the senses.

Riverbend Poetry Series II is at 6pm, 23 April 2013. Tickets cost $10.

Whispers: At Sea

Stories speak to us; they whisper, cajole, and, on occasion, shout out to be heard. Join British Fantasy Award winner, Angela Slatter (The Girl with No Hands, Sourdough & Other Stories, Midnight and Moonshine), alongside special guests novelist, Jessica White (Entitlement, A Curious Intimacy), poet Zenobia Frost, and short fiction writers, Samuel Maguire and James Butler, as they share their stories at sea.

When: Saturday 9 March 2013, 3pm
Where: State Library Cafe, SLQ

Dear Stilts

On Sunday night, a friend prodded me with a link. “Have you seen this? You have fanmail.” I thought it best to reply to Aimee Lindorff in kind.

Dear Aimee,

I’m glad you made it to Riverbend, despite the rain. My reasons are selfish: I really needed your letter this week.

When the page first loaded on my phone and I could see my name at the top, it was a strange thing indeed. What was I in for? My first thought was that I was, in the abstract sense, In Trouble. Perhaps it’s a full name thing. (I don’t have a string of middle names for a parent to invoke.)

At the time your letter arrived, I was making pizza with my boyfriend. We stopped to read and I absent-mindedly worried a hole in the wrong end of the packet of pizza bases. Maybe I shouldn’t make a big deal out of it. But it’s not every day someone I don’t know writes me a review-letter and publishes it in a literary journal (read: never), so blast it. I’ll make a big deal.

Earlier this week I sat down with my manuscript with the aim of making revisions before sending it to the next publisher. I may have had a tiny tantrum. Pages may have found their way, haphazardly, all over the room. There were plenty of factors at work leading to this little game of 72-poem pick-up, sure, but above all it was one of those moments where this whole art thing seemed pretty pointless.

I’m not saying that writing is really a lofty spiritual calling — it isn’t — but damn it was good, great, brilliant to hear that my poems had brought someone such pleasure. Even better, it was a privilege to read your eloquent reaction and your memories of Toowong and its cemetery. Every time I reread the address, it’s a warm, fuzzy shock.

I am going to print it out and stick it near my desk. Possibly also on the fridge. Thank you.

Zenobia

P.S. I am glad you liked my cat-lady dress.