A Bastard Supermarket Terzanelle

Here is a poem I wrote a long time ago for my favourite (no, seriously) check-out assistant at a Brisbane supermarket. I had always intended to give him a copy, because I wrote this with a lot of affection, but I figure some people might be offended by being labelled a satyr in disguise. But I saw this character again recently — looking much happier in his human skin, by the way — and remembered this paean.

He does not belong in Woolworths

He does not belong in Woolworths,
He does not belong in Woolloongabba.
Even those with no imagination

can tell; they avoid his check out,
avoid his lopsided smile.
He does not belong in Woolloongabba.

He’s not a bad-natured Thing;
he’s just awkward in his human skin.
Avoid his lopsided ‘hullo’ grin

if his gaze makes you fidget; I understand
he tries too hard at small talk.
He’s just awkward in his human skin,

and it isn’t nice to stare; after all,
he’s only trying to fit in, though
he tries far too hard at small talk.

He walks as though his legs are hocked.
His goateed chin juts out before him,
but he’s only trying to fit in.

His feet are uncloven by bitumen.
He catches my bus, but I doubt he goes home,
though he follows the snout that juts out before him.

Have pity; he’s not a bad-natured Thing
and he can’t pay a tailor for that ill-fitting skin.
He doesn’t belong at Woolworths, but
you’ve got to admire his attempt to fit in.

 

Zenobia Frost

QPF Roadshow Round-Up

The dust has settled in Central Queensland, and the good people of Bundy, Gladdy and Rocky have survived the onslaught of poets. The Queensland Poetry Festival was a blast last-last weekend (24–26 August, 2012) at The Judith Wright Centre, but we touring poets didn’t skip a beat. We arrived in Bundaberg on Monday, 27 August, to give the first of our regional workshops.

I had the pleasure of travelling nationally with the Arts Queensland Touring Poets Program in 2009, but this is the first regional outing for QPF. I joined performance poets Scott Sneddon (Darkwing Dubs) and Steve Smart (from Melbourne), and QPF’s lovely Talina McKenzie Continue reading

Cordite news!

I’ve been bouncing up and down for a couple of weeks waiting to share this news: I’m Cordite Poetry Review’s new assistant editor. I’d be copyediting and proofreading all sorts of things. (Hooray!) Corey Wakeling is the new interviews editor, and Kent MacCarter is the newishly appointed managing editor.

Here’s a Cordite blog post about our appointments: Wakeling, Frost and a Sydney Prelude.

Samuel Wagan Watson is guest-editing the next edition of Cordite, Jackpot! Submissions  close May 14. Get cracking!

After Bukowski

For SPOKEN‘s Bukowski night, mistress of ceremonies Mandy Beaumont asked me to write a letter to the dirty old poet. Last week, before the gig, I shared his poem Bluebird. In reading Bukowski last week, I came to appreciate his honesty the most. So here’s my — hopefully — honest response to Bluebird.

To the dearest and dirtiest
after Bukowski’s “bluebird” 

how do you keep your aviary neat?
nobody sees the pretty bluebird
that sits so still in your dark;
does the stink not ring out?
is that what the whiskey is for?
are you trying to smoke out the bird? Continue reading

Revisiting old verses

Here are some poems I wrote years ago that might benefit from a little airing. (Besides, old poems seem oddly fitting to mark the blog’s new look. What do you think?)

From the Ferry, Looking Out 

What bonds must hold
these atoms’ hands that I stand
so collected, like stamps or butterflies?

I can see my yesterdays
scattered across this river, and I wonder whether
Continue reading

Winding Down

It’s 3am again; there’s been a lot of sleeplessness during and post-festival. Queensland Poetry Festival filled my head with so much stuff it’s like there are ants crawling around under my skull: Sawako Nakayasu, Chloe Wilson, Kevin Gillam, Helen Avery, Jacob Polley, and (of course) Jeremy Thompson were highlights. So was the bookstore, though my wallet will disagree. I previewed some gravepoems on the Sunday, including what we’ve decided is a love letter to Govenor Sam Blackall; thank you to everyone who came along.

This year, QPF published a limited-edition anthology containing a poem by every poet on the program. There were 100 copies available on Friday…and five left on Sunday evening, so rather a successful little venture! Here’s my poem from the collection, in case you weren’t one of the lucky 95. (It’s 5/7 of a sonnet, and was published in Overland last year as part of a collaborative poetry mash-up.)

Before the Funeral

You find her in the kitchen and your lungs empty.
This is the room where they cornered the fox,
the fox that panicked through the hall in the storm,
that your brothers crushed into unsealed wood:
that stain there. The window is open.
Evergreens are all puffed up. Nothing grows
from the bones of the fox. Dishcloths are stiff
on the rail where she split her head; the blood
has frozen before it could stain. Your legs try
to turn you. The volta catches in your throat.

My first collaboration with Jeremy Thompson, Petrichor, also disappeared quickly from the bookstore. Thank you kind souls! There’s only one left of the print run — perhaps we will get crafty and put together a second edition in time for our trip to Victoria later this year. I’ll be appearing at Passionate Tongues, at Melbourne’s Brunswick Hotel, on September 26.

This post-festival winding down is only an illusion. Brisbane Festival launches this week, so if you are looking for me, I’ll be in the Spiegeltent all month, madly scrambling across tightropes, balancing deadlines. For now, the John Marsden Prize closes at 5pm, so my last task for tonight/this morning is to choose a poem. Me?! Make my mind up about something?! Bah!

Mucking Around with a Bastard Ghazal

Tidal Ghazal

The glove is tugged out and pulled in by the tide.
All other evidence was claimed by the tide.

The old woman who has spent half her life blind
can read shifting futures in the ocean’s tides.

The teacups and saucers on the houseboat slide
but don’t break with the waves of the forgiving tide.

Madness, they say, is often defined
by the tug and the pull of mischievous tides.

Our poet, Ms Frost, pays a costly tithe:
a tenth of her sanity to the ghazal’s tides.