she was slender in the summer

(It’s cold; let’s have a summer poem)

she was slender in the summer
heat the way it unfurled across
her skin like ink through blotting
paper beads of sweat like dew
dancing naked in my garden
because we can tangled vines
as walls and sprinklers (hoses
with holes cut in them) serving
as marble fountains at the heart
of our labyrinth record player
dragged outside flowery yellow
music she says sounds like sun
shine white bread with butter or
daisies threaded through her
hair it took me an hour and
now they’re falling out as she
whirls between the rose bushes
snow on green grass i take the
petals one by one and arrange
them artfully on her pink tongue

Zenobia Frost
Previously published in The Definite Article

Jeff around the Riverbend

That pun was so awful I don’t think it even qualifies as a pun.

Anyhoo, the last Riverbend: Poetry on the Deck reading for the year happened last Tuesday, and it was a pretty groovy reading. One of the five poets (all of whom you’ll be able to see perform at the Qld Poetry Festival) was Jeffrey Harpeng, one of Australia’s leading writers of haiku, haibun, tanka and tanka prose. It was one of the best readings I’d heard from him, and it prompted me to tell you, gentle readers, to catch his poems in your nets—or catch him for a chat at the festival, because I’ve never heard him say anything not worth listening to.

Jeff found poems “on a pilgrimage to metaphysics,” when “the shallowness of the world just didn’t seem credible.” He makes words that make my brain pop.

“I was a small cloud of facts, a short story, barely begun.”

You can read some of his poetry online here, here or here. Catch an interview with him at Another Lost Shark.

On a totally different note, the other night at Miss Bertie’s cabaret  burlesque (The JOYnt, South Brisbane) I saw two talented chaps, Yorgi n Gørski, juggle hats, and my life was more or less complete. I must learn this most essential of skills: millinery manipulation malarky. Now.

The Cure and A Strange Whirring Noise

It occurs to me that I’ve posted a lot of advertisements lately, but not many zenrambles, and zenrambles at the very least amuse the Zen.

So yes, I’m listening to The Cure and A Strange Whirring Noise, both of which are coming out of my computer, but one of which doesn’t belong. I wonder how long it will be until this PC pops. Technology hates me. My typewriter never gives me this kind of trouble, but my typewriter isn’t, well, networked.

The Cure best-of/singles collection, The Cure Galore, I bought while wandering round the city this evening enjoying the rain. I like their clean sound. There’s nothing wishy-washy about The Cure. I also think Robert Smith looked a lot darker than his music sounds, which makes me think of Edward Scissorhands.

Edward Scissorhands was made by an American filmmaker. By startling coincidence, I recently travelled to the States. (How’s that for a subtle segue?) I wasn’t going to see Tim Burton, though (we don’t talk much anymore); I was going to see three people: a dear friend in Milwaukee, Fonzie, and Neil Gaiman.

I found all three, and I didn’t even have to go very far.

I stayed with my friend’s family in Milwaukee, and in the first week headed downtown to find the Fonz. Wisconsin buses are like Brisbane buses, and we had to thump the bus stop with the enthusiasm of Fonzie himself to make the bus materialise. We weren’t sure where to get off, either, but again, the Fonz guided us, and—though we pressed the buzzer more or less at random—the bus stopped directly opposite His Coolness. And here he is, standing immortal, Milwaukee’s own bronze Fonz:

Fonzie Milwaukee

Fonzie’s luck stayed with us throughout the day. Later, I found a book dated 1768 in a second-hand book warehouse (like Black Books x 1000000), previously owned by Lady Douglas, Scottish painter. She was 18 at the time the book was published. The book itself, Orlando Innamorato (Orlando in Love), is deliciously bound and ancient and smells wonderful.

Leon's

Back to the 50s. I became quite addicted to cheesy 50s-themed soda fountains, milkbars and diners in the US, and I’m very sad that they don’t abound in Australia. Leon’s, a drive-in frozen custard (oh my! tasty stuff) joint, is said to be the place  that the Happy Days diner was based on. Though I couldn’t see the link, they did do ambrosail sundaes.

But I digress. Neil Gaiman (and how he escaped me!). For my last weekend, we caught the bus down to Chicago and stayed in a hostel in the city’s centre. After getting thoroughly lost (I’ll read the map in future, thanks), we realised our hostel was just down the road from the Printer’s Row literary festival. Nice coincidence. Not only that, Neil, whom I was intending to hunt down somehow, happened to be giving a speech there.

Unfortunately for me, Neil is smart and the event was booked out, so I wasn’t able to talk to him about whether it would be okay for me to take a bubble bath with Amanda Palmer at his house. But I was this close.

Oh, this blog is getting long. My giddy aunt. I should leave it here, and sleep. I was going to tell you about American supermarkets, walking tours of haunted and non-existent Chicago neighbourhoods, Woodland Pattern Books, Riverbend Books, Jeff Harpeng’s glorious poems, my annoying poetry-writing habits, gloves, rat pizzas, pirates, and hat juggling—but these must wait for another time. Let it be said that life is good: the flu is finally clearing up; debts are being paid off; after an uncomfortably long hiatus, I’m writing things again; the Brisbane rental market looks like it might soon be affordable; and I’m making marvellous (and charmingly unrealistic) plans, as per usual.

Spring in the North Woods, Wisconsin

Burdock VI Launch


Milwaukee poetry journal, Burdock, launches its sixth issue this coming Thursday.

May 21st, 7.30pm

BYOB and food; some nibblies supplied

900 S. 5th Street, Walker’s Point, Milwaukee

(On 5th and Walker – enter on Walker, one block south of national.)

Featuring readings from contributors, including Milwaukee’s poet laureate Susan Firer, and international artist, emerging Australian poet Zenobia Frost. (Shameless self-promotion!!)

See http://www.teppichfresser.blogspot.com for more info.

Hurrah!

I’m fairly sure yesterday was the best birthday ever.

I had a wonderful time with Nerissa (as Madrigal Maladies) at SpeedPoets earlier in the day. Big thanks to Graham & Jules and the lovely crowd at The Alibi Room.

Cupcakes!

The launch at !Metro Arts in the evening was an absolute dream event. Somewhere between 80 and 100 friends and family came along (we lost count!), the book supply nearly sold out and the punctuative cupcakes were gone in a snap.

Thank you to:

  • Kim and the team at !Metro Arts
  • Ross and Jeff at SweetWater Press
  • Bettina Walsh, artist extraordinaire
  • The writing circle that shall remain unnamed
  • Tiara, our fabulous Merch Girl
  • Rob Morris, grooviest poet in Brisbane and a gent with excellent taste in shoes (thank you, thank you, thank you; they fit perfectly)
  • James Sherlock, jazz-guitar maestro
  • The (other) Frosts for supplying a dozen excellent bottles of wine
  • Caitie for a fine day of baking fun
  • Everyone else involved with catering: Mum, Tina & Jerome, and the family members who helped out
  • Dad, whom I know would have loved to have been there; your messages from afar were much appreciated (and don’t worry, there’s a video!)
  • All the gorgeous people who came along or sent messages of support, especially those old friends who came out of the woodwork to say hullo
  • The crazy ladies and gents who came along to The Pancake Manor (etc.) after the launch, and the waitress who put extra blueberries on our pancakes
  • Those who took photos or video (I look forward to seeing them!)

launch

I had a great time, I couldn’t be happier with the book, and I hope you all enjoy The Voyage (and are amused by my inscriptions, if you had your copy signed).

I’m pleasantly tired today, and intend to spend the rest of the afternoon in my pyjamas, probably watching The Hunger.

With love,
Zenobia

Speedies & The Voyage

Sunday May 3

SpeedPoets is back for Round 3 of 2009! Be there as Brisbane’s longest running spoken word/poetry event takes over The Alibi Room (720 Brunswick St. New Farm) on Sunday May 3 from 2:00pm – 5:00pm. The May event features the delicate beauty of Ichabod’s Crane: http://www.myspace.com/ichabodscranemusic. This Brisbane ensemble conjures the sounds of horses being ridden on sand and snake tails speeding beneath gumboots…music to be shipwrecked to!

And to celebrate the pending launch of her debut collection ‘Voyage’, Zenobia Frost will perform a short feature set with a special appearance from Madrigal Maladies, her collaboration with Nerissa Rowan, and if that’s not enough for you, winner of The Dream Ain’t Broken Chapbook Competition, Nicola Scholes will also perform a short feature set, showcasing poems from her forthcoming collection.

As always there will also be live sounds from the SpeedPoets poetic riff generator Sheish Money, giveaways, free zines and two rounds of Open Mic. Entry is a gold coin… This is a gig not to be missed!

SpeedPoets, Sunday May 3 @ The Alibi Room, 720 Brunswick St. New Farm. 2:00pm – 5:00pm.

then get along to…

The launch of The Voyage, a poetry chapbook concerning the adventures of Zenobia Frost, with illuminations by Bettina Walsh.

Time: 7:00pm
!Metro Arts Basement
109 Edward Street, Brisbane
Featuring James Sherlock and Rob Morris
$5 entry / free drinks and nibblies
https://zenobiafrost.wordpress.com/

Presented by SweetWater Press

The Voyage launches this weekend

I have a groovy little book in my hot little hands.

Jeffrey Harpeng says, on the blurb, “The poetry of The Voyage has both the resignation of the sage, and the wit and passion of the articulate romantic. Frost hopes lovingly against all odds and oddities.” (Thanks, Jeff!) And, of course, Bettina’s art brings the chapbook to life.

I’m looking forward to seeing you all on Sunday for a rather magnificent little party. I shall be baking all weekend; expect there to be sprinkles in my hair. Again.

Don’t forget James Sherlock will be providing jazz grooves and Rob Morris will be bringing further tales from the rock-n-roll after-life. Not to be missed!

With affection,
Zenobia
x o x

The Voyage
book launch
7pm, 3rd May
!Metro Arts, 109 Edward St, Brisbane

Groovy News and One Tasty Sonnet

Well, I had fun at the start of this week; Graham Nunn over at Another Lost Shark asked me to captain a Guided by Poets thread (like poets’ tag) that got all the way to Chicago via Berlin. My poem there, Bathing with Gaiman, appears to have been read by Neil himself, which more or less made my decade. I tagged mr oCean (Berlin, Sublimination), after whom came Michael Haeflinger (Dayton, Love Poem for the Everyday), Hose Olivarez (Cambridge, April 10, 1999), and finally Nate Marshall (Chicago, the genesis). Thanks to these awesome poets. :D

So, I promised you a tasty sonnet. This should be published in A Prominent Journal, but its author is kindly letting me pop it up here. Lila is a talented poet whom I’ve been honoured to get to know over the last few weeks.

Persephone

Within a chamber dry and bare as bone,
Amid the wistful shades of passion spent
And memories bereft of merriment,
Above the sea of sighs, there broods a throne.
The goddess there enthroned is deaf and numb;
Her eyes are marbles, blank and dim and dull,
Her face a rot-white mask stretched on her skull.
Her mouth, as stone, is cold and still and dumb.
But some faint redolence of warmth is there,
Though grim her mind as glacier blue and bleak
A half-a-dream of poppies on her cheek,
A memory of sunlight on her hair
As dawning laughter thaws her chilly blood
The blossom of her heart begins to bud.

Lila Black is muddling though her twenties as a student, teacher, and writer of fairy-stories for an amused but impecunious audience of children.  She travels so much between the USA and the UK that everyone has forgotten which one she came from in the first place.  This autumn she plans to finish her MA degree in publishing and then take a few months to catch her breath and do some serious agent-hunting before applying for her PhD.  On ordinary days she translates Greek tragedies into English and ruminates about them; on reckless days she writes poetry. Here is a picture of her kissing Milton:

lila-kisses-milton

The Voyage, featuring James Sherlock

As close to a media release as we’ll get:

The Voyage, the debut collection from local poet, Zenobia Frost, will be launched by SweetWater Press on the 3rd of May. Zenobia has won prizes for the poems written during her school years, and more recently has had work published in Going Down Swinging, Small Packages, Stylus, Mascara and Voiceworks. This first collection somehow combines undertones of both The Ancient Mariner and The Hunting of the Snark, while remaining determinedly in her own voice.

The volume is illuminated by Bettina Walsh’s lively drawings.

Zenobia has been described by fans as “a poetic adventurer, hat fetishist and protector of apostrophes who works with the Queensland Poetry Festival and coordinates The Ruby Fizz Society, a light-hearted opportunity to indulge in fine food, fine arts and high-class frivolity”.

Guitarist James Sherlock will be providing jazz grooves, cupcakes will be sprouting up everywhere, and libations will be quaffed during the evening, beginning at 7.00pm, in the !Metro Arts Basement, 109 Edward Street, Brisbane.